The target data rate is approximately 45 Mbps at x and They are also the only Apple ProRes codecs that support alpha channels. About Apple ProRes Apple ProRes codecs provide an unparalleled combination of multistream, real-time editing performance, impressive image quality, and reduced storage rates.
Apple ProRes Apple ProRes is a high-quality compressed codec offering nearly all the benefits of Apple ProRes HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. Published Date: April 09, Yes No. Character limit: However, Lewis has been extremely hard at work to make this easier for you with the VMEDIA Online Database V2 which is organised into the most popular brands and sortable by camera model, which gives details on compatibility, data rates and approximate recording times too.
This article gives some useful tips to prevent data loss from happening and to know what to do if you are unlucky enough to experience it. This is an article about configuring and using the built-in 10Gbit ethernet interface of the Phantom VEO 4K to take advantage of the most efficient and fastest workflows from internal RAM to hard drive, which can be even more efficient than the workflow of the Phantom FLEX 4K.
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Please be aware that this might heavily reduce the functionality and appearance of our site. Changes will take effect once you reload the page. Please rate the helpfulness of this tip. Click on a star to rate it! Brian: Interesting. Thanks for the heads-up. Larry Reply. It's worth noting that nearly every external recorder on the market currently allows you to choose not only ProRes as your codec, but the specific type to use for recording.
I doubt anyone working outside of very large theatrical or television productions would need this, but it is nice to know it's in the hands of consumers. The most obvious types of footage to use in this circumstance would be anything shot against a green screen.
ProRes HQ — Same as above basically without the alpha channel. Your camera's internal codec will have a compressed data rate of anywhere from 20Mbps to 70mbps usually variable. ProRes LT aims for Mbps, which still looks great if you're getting a sensor readout over HDMI and will serve you much better in post, especially while color grading. ProRes Proxy — I would never shoot directly to this format as it's for cutting dailies or doing offline editing—it's something you generate in your NLE or before the edit to make life easier.
Definitely not recommended as a start-to-finish solution.
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